Recent writing in the field of ethnomusicology has re-asked the question of
“what is music?”. Christopher Small coined the term “musicking”,
which to me expresses that there is no such thing as “music” that is apart
from the act of “musicking”. Music and mathematics have shared a historical
bond with each other - with mathematicians finding fascination in musical
patterns and musicians relishing in artistic construction using mathematical
patterns, more recently involving computational patterns. The relationship that
both these activities bear to the functioning of human cognition also share
great similarities. Mathematicians have long declared the activity of “doing
mathematics” as a creative process that is not steeped in certainties, as a
naive view of mathematics might suppose. Paralleling that, musicians also often
demonstrate intellectualization of the activity of musicking that resembles a
mathematical theory of the constructs that they are building. In consideration
of such deep connections, in this essay, I explore the parallel thesis - there
is no such thing as mathematics, there is only mathematicking - and where I
name the joint activity “mathemusicking”.
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